Innocent When You Dream brings a new element to the Tom Waits songbook while remaining true to its essence. The quintet interprets Waits' stylistically diverse repertoire by creating instrumental versions of his most memorable songs. Using lyrical content and mood as the starting point for exploration, the band moves beyond the realm of covers creating a distinctive sound that draws from Jazz, rock, blues, World music and the avant-garde. The quintet regularly performs in NY area, LA and has been featured at notable Jazz clubs: The B-Flat (Berlin), Upstairs (Montreal) and The Rex (Toronto). Featuring: Aaron Shragge - trumpet/shakuhachi Ryan Anselmi - tenor sax Nico Soffiato - guitar Michael Isvara “Ish” Montgomery - bass Deric Dickens - drums

Elsewhere Shakespeare is a small collective of actor-managers that began in 2019 in an attempt to apply the DIY ethos of the punk scene to producing Shakespeare. They stage their free 90min shows in unconventional spaces like bars, art galleries, basements, and occasionally folks' living rooms. They believe that most things that make Shakespeare plays cheaper, faster, and easier to produce also make them more enjoyable both for actors and audiences.

Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more. BODY SOUND, their debut album, will be released by International Anthem on March 20, 2026

GLENN JONES is a unique player in the world of solo guitar. Steeped in both American Primitive guitar music as well as rock and experimental music, Glenn Jones creates rich sonic tapestries with a distinct and stirring voice. Endlessly curious, Jones has spent the better part of four decades exploring the boundaries of expression and storytelling with the guitar and banjo. On his latest record Vade Mecum, Jones draws on his personal history to tell stories with elaborate musical detail and emotional weight. Exploring the complexity of personal experience, emotions and our shared histories, Vade Mecum finds Jones painting his music in boundaryless colors, captivatingly vivid. __________________ LIAM GRANT is a New England guitarist and improviser cut from the American Primitive cloth. The restless guitar explorations, modal epics, and driving uptempo rags recall the likes of Grant's pedagogue, Takoma Records, and the path that was paved by his forebears John Fahey, Robbie Basho, Peter Walker, Max Ochs and later Glenn Jones, Steffen Basho-Junghans, Jack Rose, and others. Bridging that past Grant evokes the pith of the landscape where he was raised. Instrumental memoirs and ruminations on the banks of the Merrimack River. Amoskeag. And the place where the waters flow around it. Salmon tails up the river, the exodus to Stratton-Eustis and the last night on Dead River before the great flood.